A Fourth Of July Salute To Patriotic Movies

USA Today (Society for the Advancement of Education), July, 2000 by Wes D. Gehring

Capra seems to footnote his ties to Rogers with his pivotal casting and utilization of actor Harry Carey to play the president of the Senate in "Mr. Smith." Besides bearing a striking physical resemblance to Rogers, Carey's folksy mannerisms--the slouching posture, the bit of hair falling on the forehead, the half-suppressed smile--are especially reminiscent of the humorist. Though Carey's is a small part, his largely visual support of the filibustering Smith is both entertaining and central to this segment of the film. Fittingly, Capra's stars--including Stewart, Cooper, and Tracy--are now seen as archetypal American actors.

In 1939, the same year as "Mr. Smith," Hollywood's other key populist director, John Ford, made two classics: "Young Mr. Lincoln" and "Drams Along the Mohawk," both starting Henry Fonda. Lincoln, the ultimate real-life cracker-barrel figure, often turns up in populist films (Ford alone uses him in several pictures), though "Young Mr. Lincoln" is uniformly considered the portrayal of the country's favorite president, by Ford or any other director. As with "Mr. Smith," the movie shows a less-than-perfect America, including Lincoln talking down a lynch mob. Still, by working within the system, justice ultimately triumphs. Even this, however, is tempered at the picture's close by a gathering storm, symbolizing Lincoln's future Civil War trials, as well as the threat of World War Il.

"Drums Along the Mohawk" is a beautiful technicolor tapestry of frontier life at the time of the Revolutionary War. The perseverance of the pioneers as they flip-flop between farming and fighting the enemy is as moving a tribute to the American spirit as Ford has ever produced. At the close, the settlers are told the Revolutionary War has been won and they see the Stars and Stripes for the first time. After one of their number observes, "So that's our new flag," it is proudly raised to the highest point at the fort. While "My Country 'Tis of Thee" plays on the soundtrack, the principals return to farming.

Following the patriotic populism of "Mr. Smith," "Young Mr. Lincoln," and "Drums Along the Mohawk," the early 1940s saw the release of three pivotal nationalistic biography films: "Sergeant York" (1941), "Yankee Doodle Dandy," and "The Pride of the Yankees" (1942), about baseball legend Lou Gehrig. Each presents its patriotic message in different, but complementary, ways. "York," with Cooper in the title role, depicts the extraordinary evolution of a man from conscientious objector to war hero. While ostensibly about a reluctant World War I patriot, it is just as much about getting America prepared for World War II.

"Yankee Doodle Dandy" takes a patriotic entertainer, whose heyday was the World War I era (Cohan's "Over There" was the period theme song), and plugs his needed values into the then new conflict. Thus, Cagney's Cohan visits the White House by the picture's close and receives a tribute from FDR. Once he is outside again, a passing parade is marching to "Over There."