Popular ambassadors of freethought
Humanist, Nov-Dec, 2004 by Jeff Nall
freethinkers are always happy to discover like minds engaged in free inquiry in an otherwise unthinking society. But there's nothing quite as vindicating as those occasions when famous people have the audacity to raise their voices and speak freely about their aversion to organized religion.
As a journalist, interviewing as many as one hundred musicians every year, I'm always amazed at the number of artists who do just that. In a country where more than 70 percent of the people consider themselves Christian, the number of freethinking musicians seems to level the playing field. In fact, artists might be the freethought movement's greatest ambassadors simply because they are able to communicate freethinking to the masses as few others can.
Take for instance Sean Danielsen, frontman for the band Smile Empty Soul (Lava Records)--a well recognized band with a song on the Spiderman 2 soundtrack. In an interview I conducted earlier this year Danielsen told me that his antipathy toward religion would likely continue to surface on the band's future albums as it does on the current self-titled album. "Religion is just such a big bad part of my life that it's going to come out," he said.
And it's easy to understand why religion has had such an effect on the artist. According to the biography on the band's website (www.smileemptysoul.com/bio.html), at the age of seven Danielsen's "very religious" mother and stepfather took him to live in an abandoned summer camp in Maine. Isolated for three years in what he described as "the middle of the forest," Danielsen now freely expresses his displeasure with organized religion and the effect it has on people like his parents:
I'm definitely against all organized religion just because, when you really look at it, organized religion has caused most of the death in the history of this planet. Most of the wars were fought over organized religion. And if people would just give that shit up it would solve a lot of problems in this world.
Lyrically, the group's current album, which has sold more than 350,000 copies, is laden with critiques of religion. Take for instance the lyrics of "Every Sunday":
I don't want your religions
and I don't need your sympathy
and I don't want a part of all
your hatred
no matter how much you yell at me
I still say
You're the ones that kill your babies
You're the ones that luck your kids
You're the ones that throw each
other away
you're the ones sitting in church
every Sunday.
One of the group's music videos, "Nowhere Kids," which was yanked off the air by MTV, takes on sexual abuse by the clergy. "It starts with a scene of a perfect suburban family standing in front of their house," explained Danielsen. "Their priest is there. The video is real dark. Later on in the video the dad pretty much beats the son and the priest molests the little boy. And because people don't want to see shit like that right now, we get our video yanked."
Danielsen and his band Smile Empty Soul, however, are anything but alone in their discontent with religion.
The veteran punk-metal rock band, Boy Sets Fire (Wind-up Records), also tackles organized religion on its current album, Tomorrow Come Today. Songs like "Bathory's Sainthood" attack blind dogmatism:
Genuflect away the sins that
we've known
sure one percent rules, but heaven's made
of gold ...
do we really want, do we really need a
bastard messiah
wrapped up in the dream of patriotic clean
white-washed desire ...
and what gives us the right to feel with remorse
for a god they created
a god for the poor, for Bathory we're bleeding out
the devil hides in angelic shrouds.
Another song from the album Last Year's Nest lambastes wishful thinking. "It's just about hope and its ability to basically heal what's going on in our country," explained vocalist Nathan Gray, "and that wishes are bullshit, something you can throw around without responsibility. If you're hoping for something, you have to make it happen."
One of the more profound and best-known freethinking artists, Ani Difranco, has recently released a beautiful album, Educated Guess, comprised of penetrating, often deeply rational lyricism. One of its better songs, "Animal," takes time to briefly step on the toes of Christianity:
Ask any ecosystem harm here is harm there and aggression begets aggression it's a very simple lesson that long preceded any king of heaven.
But Difranco is anything but coy about her thoughts on hardcore Bible thumpers. In her poem "Literal," featured in the CD booklet, she gracefully takes on religious literalists:
When they said he could walk on water what it sounds like to me is he could float like a butterfly and sting like a bee literal people are scary, man literal people scare me out there trying to rid the world of its poetry while getting it wrong fundamentally down at the church of "look, it sez right here, see!"
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