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Topic: RSS FeedThree poems
Literary Review, Spring, 2004 by Dy Plambeck
Three Poems (1) My father collects the most remarkable things, Stig says, he collects, for example, animal skeletons, owl vomit or stag shit, it is macabre, well maybe but not as perverse as your having a gilded rat hanging on the wall of the living room in your home, Dy. I had completely forgotten that, but it is true, and now I remember how one summer we had the house full of workers to tear down the green garage because it was so flop-rotten and that they smelled so dry from dust and mortar in the afternoon when they sat in the kitchen each with a shiny silver lunch box and propped thick open rye bread sandwiches into their mouths with fingers that were grey and just as dried out as the rat my brother found stuck in between the remains of two walls. The rat was completely intact, the skin was like dried leather on its skeleton and it still had both eyes, a tail and teeth. I don't know where my brother got the idea to spraypaint the rat with the gold spray my mother decorated spruce with for Christmas, but anyway: the rat lay to dry on a newspaper in the utility room while my brother hammered a nail in the wall over the dining table in the living room and when the rat was dry, he hung it on the nail with a little piece of string. It was as though it watched us while we ate dinner and I had to switch places with my mother because it stared like that especially at me, but then one day, I completely forgot to notice it. Is it still hanging there? Stig asks but I can't really remember if it is it probably isn't, I don't know what happened to it, and I don't care, the most remarkable thing about it all is that no one ever mentioned it was hanging there until now but people must probably have had their thoughts about it. (2) Rosalinde's mother asks me if I knew it was she who invented leek tart. Of course I didn't know, how could I know that and between you and me: I find it hard to believe I think my own mother once made exactly the same claim. It's no doubt one of those things mothers just say, and neither is there anything wrong with it I myself tell so many small lies all day long, lie a little about what I have to do and where I've been without there really being any reason for it other than that it's just easier that way it's just easier. Gosh. It's a bad habit. I wasn't like that when I was a child, was I like that? Was I? And anyway I always imitated the grown-ups' walk or facial expressions when the Bure lake gang gathered to warm up on the field in front of the H-bridge. I would always hang on my mother's jogging pants along the way, always hold her hand or wait behind her leg she always dragged me along through the woods, and therefore it has puzzled me why I was considered something of a gang kid I only committed the most ordinary and simple crimes: I let the horses out of the corral, I drank bitter snaps, I stole from my grandfather's purse, I tore wings from butterflies, but really I never wanted anything but a little bit more attention. (3) I already heard about Saddam Hussein back when I was a child, and now I'm hearing about him again. It's the same story being told over and over again, my grandmother says, and I can't help but think about the golden hamster I had in fourth grade Laban who passed every single day running around the wheel in its white cage; and maybe there is something to the talk I have anyway twice however improbable it sounds swum into a human turd in the sea I really have done that and both times the turd was so hard that I took hold of it thinking it was a stick--It is pretty stupid I know to keep making the same mistake but somehow or other I always find out too late and assure myself that it's probably quite normal that I never learn and I really don't know why, but it is as if there are some things that just never change. for example the frayed edges on your jeans are always the first thing I see when you walk toward me with your slow steps so slow that they bore me even more than that war that keeps rolling across the screen.
COPYRIGHT 2004 Fairleigh Dickinson University
COPYRIGHT 2004 Gale Group
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