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Harold Love "How music created a public". Criticism. FindArticles.com. 02 Jan, 2010. http://findarticles.com/p/articles/mi_m2220/is_2_46/ai_n9510588/
Criticism
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Articles in Spring, 2004 issue of Criticism
-
Preface
by Cannon Schmitt -
Forms of dissent
by Jennifer Richards -
Parsing Habermas's "bourgeois public sphere"
by Michael McKeon -
Public sphere/contact zone: Habermas, early print, and verse translation
by A.E.B. Coldiron -
Ethical and aesthetic alterity
by Nancy Moore Goslee -
Introduction: charting Habermas's "literary" or "precursor" public sphere
by Joseph Loewenstein -
Interpreting communities: private acts and public culture in early modern England
by Nicholas McDowell -
Women, the republic of letters, and the public sphere in the mid-seventeenth century
by David Norbrook -
The bourgeois public sphere and the concept of literature
by Kevin Pask -
"Antitheatrical theatricalism" on the eighteenth-century English stage
by Marjean D. Purinton -
How music created a public
by Harold Love
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