Style

View more issues:

Articles in Spring, 2001 issue of Style

• The light continent: on melancholia and masculinity in Maupassant's "Lui?" and "Une famille"
  by Philip G. Hadlock
• Revisiting the deconstruction of narratology: master tropes of narrative embedding and symmetry
  by James J. Paxson
• "They but reflect the things": style and rhetorical purpose in Melville's "The Piazza Tale"
  by Scott A. Kemp
• The occidental tourist: the counter-orientalist gaze in Fitzgerald's last novels
  by James Bloom
• Frantic forensic oratory: Poe's "The Tell-Tale Heart" - Critical Essay
  by Brett Zimmerman
• Upright man/fallen woman: identification and desire in James Joyce's "A Painful Case" - racial studies - Critical Essay
  by Gerald Doherty
• Historicizing unreliable narration: unreliability and cultural discourse in narrative fiction
  by Bruno Zerweck
• The source of "dramatized consciousness": Richardson, Austen, and stylistic influence - Samuel Richardson Jane Austen - Critical Essay
  by Joe Bray
• Frameworks: Narrative Levels and Embedded Narrative - Book Review
  by Rosalee Stillwell
• Critical thumbprints in Arcadia: Renaissance pastoral and the process of critique - Critical Essay
  by Michael Everton
• Patterns of Epiphany: From Wordsworth to Tolstoy, Pater, and Barrett Browning - Book Review
  by Gail Green-Anderson