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Articles in Spring, 2002 issue of Style

• "What's the import?": indefinitiveness of meaning in nineteenth-century parabolic poems - Critical Essay
  by Kerry McSweeney
• Books received - Brief Article
• Anti-edibles: capitalism and schizophrenia in Margaret Atwood's The Edible Woman - Critical Essay
  by Jennifer Hobgood
• The sounds of silence: songs in Hollywood films since the 1960s - Critical Essay
  by Todd Berliner
• The Identifying Fictions of Toni Morrison: Modernist Authenticity and Postmodern Blackness. . - book review
  by Gary Storhoff
• Minding the gap: visual perception and cinematic gap filling - Critical Essay
  by Dorit Naaman
• The mirror of hermaphroditus - Salmacis and Hermaphroditus - Critical Essay
  by James W. Stone
• The power of the past: structural nostalgia in Elizabeth Bowen's The House in Paris and The Little Girls - Critical Essay
  by Marian Kelly
• Discovering and Covering the Seventeenth-Century Religious Lyric. . - Re - book review
  by Helen Wilcox
• The "moreness" or "lessness" of "natural" narratology: Samuel Beckett's "Lessness" reconsidered - Critical Essay
  by Jan Alber
• "When novelists become Cubists": the prose ideograms of Guy Davenport - Critical Essay
  by Andre Furlani
• Trapped in language: aspects of ambiguity and intertextuality in selected poetry and prose by Sylvia Plath - Critical Essay
  by Andrea Gerbig
• The bog body as mnemotope: nationalist archaeologies in Heaney and Tournier - Seamus Heaney, Michel Tournier - Critical Essay
  by Anthony Purdy