Arts Publications
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Afterimage, May-June, 2005
Quantizing Effects: The Limited Art of Jim Campbell, essays by Steve Dietz and Heidi Zuckerman Jacobson. SITE Santa Fe/72 pp./price unavailable (sb) [exhibition catalog].
Quizzical Eye: The Photography of Rondal Partridge, edited by Elizabeth Partridge and Sally Stein. California Historical Society Press/144 pp./$21.95 (sb).
Reality and Fiction: Photography and Printmaking in the Work of Zvi Tolkovsky, introduction by Irena Gordon. Jerusalem Print Workshop/63 pp./price unavailable (sb) [exhibition catalog].
Rick Sammon's Digital Imaging Workshops: Step-by-Step Lessons on Editing with Adobe Photo shop Elements, by Rick Sammon, with tutorial CD-ROM. W.W. Norton & Company/320 pp./$45.00 (sb).
Screening the Gothic, by Lisa Hopkins. University of Texas Press/188 pp./$50.00 (hb), $19.95 (sb).
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Shades of Black: Assembling Black Arts in 1980s Britain, edited by David A. Bailey, Ian Baucom and Sonia Boyce. Duke University Press/340 pp./$29.95 (sb).
Shooting from the Hip: Photography, Masculinity, and Postwar America, by Patricia Vettel-Becker. University of Minnesota Press/272 pp./$59.95 (hb), $19.95 (sb).
Slide Show: Projected Images in Contemporary Art, by Darsie Alexander, essays by Charles Harrison and Robert Storr. The Baltimore Museum of Art & The Pennsylvania State University Press/192 pp./$29.95 (sb) [exhibition catalog].
So You Want to be in Show Business: A Hollywood Agent Shares the Secrets of Getting Ahead Without Getting Ripped Off, by Steve Stevens Sr. with John D. Cady. Cumberland House Publishing/127 pp./$14.95 (sb).
Sonoita Plain: Views from a Southwestern Grassland, by Carl E. Bock and Jane H. Bock, photographs by Stephen E. Strom. The University of Arizona Press/144 pp./$20.00 (sb).
Sowing Empire: Landscape and Colonization, by Jill H. Casid. University of Minnesota Press/312 pp./$74.95 (hb), $24.95 (sb).
Stelarc: The Monograph, edited by Marquard Smith, foreword by William Gibson. The MIT Press/263 pp./$30.00 (hb).
Tattoo: Bodies, Art, and Exchange in the Pacific and the West, edited by Nicholas Thomas, Anna Cole and Bronwen Douglas. Duke University Press/252 pp./$27.95 (sb).
Thomas Demand: Phototrophy, by Kunsthaus Bregenz. Schirmer/Mosel/128 pp./$79.95 (hb).
Thoughtful Interaction Design: A Design Perspective on Information Technology, by Jonas Lowgren and Erik Stolterman. The MIT Press/198 pp./$45.00 (hb).
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Uta Barth: White Blind (Bright Red), edited by Charles Stainback, essay by Jan Tumlir. SITE Santa Fe/60 pp./$30.00 (sb) [exhibition catalog].
U2 & I: The Photographs 1982-2004, by Anton Corbijn. Schirmer/Mosel/416 pp./$120.00 (hb).
Victor Regnault and the Advance of Photography: The Art of Avoiding Errors, by Laurie Dahlberg. Princeton University Press/208 pp./$75.00 (hb).
Visual Authorship: Creativity and Intentionality in Media, edited by Torben Grodal, Bente Larsen and Iben Thorving Laursen. Museum Tusculanum Press/272 pp./$38.00 (sb).
We Flew Over the Bridge: The Memoirs of Faith Ringgold, by Faith Ringgold. Duke University Press/304 pp./$24.95 (sb).
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