Hearing voices?: Addressing the subject of balancing voices in pianistic textures - piano teaching

American Music Teacher, April-May, 2002 by Thomas Lanners

4. Claude Debussy, Preludes, Book 2; "Feuilles mortes," mm. 24-27. (Van Nuys, California: Alfred Publishing Co., Inc., 1990; Used by permission), p. 63.

5. Sergei Rachmaninoff, Prelude in B Minor, Opus 32, No. 10, mm. 22-24. (New York: G. Schirmer, Inc., Vol. 1631, 1967), p. 43.

6. Frederic Chopin, Ballade in F Minor, Opus 52, No. 4, mm. 58-59. (New York: G. Schirmer, Inc., Vol. 31, 1967), p. 46.

7. Johann Sebastian Bach, Well-Tempered Clavier, Book 1; Fugue No. 16 in G Minor, mm. 17-19. (From Editions Peters 1a; Used by Permission), p. 79.

Thomas Lanners, associate professor of piano at Oklahoma State University, received his master's and doctoral degrees in piano performance and literature from the Eastman School of Music and his bachelor's degree from Florida State University. Lanners is an active performer, adjudicator and clinician.