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Dear John Coltrane
African American Review, Spring-Summer, 2005 by A.B. Spellman
DEAR JOHN COLTRANE
dead night has me writing poetry
in another hotel room. j. s. bach
is on the radio, the keyboard concerto
in f minor: the one you also hear
on oboe or violin, the largo
second movement begins
& the book in my hand drops
the room fades
& i put my reason down
to trail the bach of endless line
along this earthless path, each note full
& bright, a brilliant footprint on the dark
thru beauty, past knowledge, into
that state that shines too much
to be wisdom, is too transparent
to be art. i catch a fear of the place
where he will lower me when
this transporting melody closes
then it closes on itself & here i am
dear john, back at the beginning, better
later, different station, cold room dimming
it's you, john, trane's slow blues
now it's your line that opens, & opens
& opens, & i'm flying that way again
same sky, different moon, this midnight
globe that toned those now lost blue rooms
where things like jazz float the mind
this motion the still & airless propulsion
i know as inner flight, this view
the one i cannot see with my eyes
open. i hear the beginning approach, &
i know the line i traveled was a horizon
the circle of the world, another freedom
flight to another starting place
if i believed in heaven i would ask
if you, j. c., & bach ever swap infinite fours
& jam the sound that light makes
going & coming, & if you exchange maps
to those exclusive clouds you travel thru
& do you give them names?
A. B. Spellman has written a great deal about jazz. His classic book on jazz has recently been reissued as Four Jazz Lives (U of Michigan P). He was co-host of National Public Radio's Basic Jazz Library. Most recently, Mr, Spellman was Deputy Chairman of the National Endowment for the Arts.
COPYRIGHT 2005 African American Review
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