The Zombie in/as the text: Zora Neale Hurston's Tell My Horse

African American Review, Fall, 2005 by Amy Fass Emery

Works Cited

Behar, Ruth. The Vulnerable Observer: Anthropology That Breaks Your Heart. Boston: Beacon, 1996.

Clifford, James. "On Ethnographic Allegory." Writing Culture: The Poetics and Politics of Ethnography. Eds. James Clifford and George E. Marcus. Berkeley: U of California P, 1986. 98-121.

--. The Predicament of Culture: Twentieth-Century Ethnography, Literature, and Art. Cambridge: Harvard UP, 1988.

Cronin, Gloria L., ed. Critical Essays on Zora Neale Hurston. New York: G. K. Hall, 1998.

Dunham, Katherine. Island Possessed. 1969. Chicago: U of Chicago P, 1994.

Dutton, Wendy. "The Problem of Invisibility: Voodoo and Zora Neale Hurston." Frontiers 13.2 (1993): 131-52.

Gates, Jr., Henry Louis. The Signifying Monkey: A Theory of Afro-American Literary Criticism. New York: Oxford UP, 1988.

Gordon, Deborah. "The Politics of Ethnographic Authority: Race and Writing in the Ethnography of Margaret Mead and Zora Neale Hurston." Modernist Anthropology: From Fieldwork to Text. Ed. Marc Manganaro. Princeton: Princeton UP, 1990. 146-62.

Hemenway, Robert E. Zora Neale Hurston: A Literary Biography. Urbana: U of Illinois P, 1977.

Hernandez, Graciela. "Multiple Subjectivities and Strategic Positionality: Zora Neale Hurston's Experimental Ethnography." Women Writing Culture. Eds. Ruth Behar and Deborah A. Gordon. Berkeley: U of California P, 1995. 148-65.

hooks, bell. Yearning: race, gender, and cultural politics. Boston: South End, 1990.

Hurston, Zora Neale. Dust Tracks on a Road. 1942. New York: HarperCollins, 1996.

--. Mules and Men. 1935. Bloomington: Indiana UP, 1978.

--. Tell My Horse. 1938. New York: HarperCollins, 1990.

--. The Complete Stories. Intro. by Henry Louis Gates, Jr., and Sieglinde Lemke. 1995. New York: HarperPerennial, 1996.

--. Their Eyes Were Watching God. 1937. Urbana: U of Illinois P, 1978.

Kaplan, Carla. "'That Oldest Human Longing': The Erotics of Talk in Their Eyes Were Watching God." The Erotics of Talk: Women's Writing and Feminist Paradigms. New York: Oxford UP, 1996. 99-122.

Meehan, Kevin. "Decolonizing Ethnography: Zora Neale Hurston in the Caribbean." Women at Sea: Travel Writing and the Margins of Caribbean Discourse. Eds. Lizabeth Paravisini-Gebert and Ivette Romero-Cesareo. New York: Palgrave, 2001. 245-79.

Meisenhelder, Susan Edwards. Hitting a Straight Lick with a Crooked Stick: Race and Gender in the Work of Zora Neale Hurston. Tuscaloosa: U of Alabama P, 1999.

Menke, Pamela Glenn. "'The Lips of Books': Hurston's Tell My Horse and Their Eyes Were Watching God as Metalingual Texts." The Literary Griot 4.1-2 (1992): 75-99.

Mikell, Gwendolyn. "When Horses Talk: Reflections on Zora Neale Hurston's Haitian Anthropology." Phylon 43.3 (1982): 218-30.

North, Michael. "'Characteristics of Negro Expression': Zora Neale Hurston and the Negro Anthology." The Dialect of Modernism: Race, Language, and Twentieth-Century Literature. New York: Oxford UP, 1994. 175-95.

Paravisini-Gebert, Lizabeth. "Women Possessed: Eroticism and Exoticism in the Representation of Woman as Zombie." Sacred Possessions: Vodou, Santeria, Obeah, and The Caribbean. Eds. Margarite Fernandez Olmos and Lisabeth Paravisini-Gebert. New Brunswick: Rutgers UP. 37-58.