Bibliography for: "What makes "jazz" the revolutionary music of the 20th century, and will it be revolutionary for the 21st century?"

Fred Wei-han Ho "What makes "jazz" the revolutionary music of the 20th century, and will it be revolutionary for the 21st century?". African American Review. FindArticles.com. 26 Dec, 2009. http://findarticles.com/p/articles/mi_m2838/is_n2_v29/ai_17534801/

African American Review

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Articles in Summer, 1995 issue of African American Review

• The wisdom of the blues - defining blues as the true facts of life: an interview with Willie Dixon
  by Worth Long
• Herman Leonard: making music with light
  by Kalamu ya Salaam
• Trinkle tinkle
  by John Sinclair
• The aesthetics of rap
  by Mtume ya Salaam
• If that's your boyfriend
  by Paul Outlaw
• What makes "jazz" the revolutionary music of the 20th century, and will it be revolutionary for the 21st century?
  by Fred Wei-han Ho
• The changing nature of gospel music: a Southern case study
  by Joyce Marie Jackson
• The heritage of the drumset
  by Royal Hartigan
• The beauty of building, dwelling and Monk: aesthetics, religion and the architectural qualities of jazz
  by Stephan Richter
• Culture, concept, aesthetics: the phenomenon of the African musical universe in Western musical culture
  by Amon Saba Saakana
• Black music on radio during the jazz age
  by William (English bishop) Barlow
• Million-dollar juke joint: commodifying blues culture
  by Daniel Lieberfeld
• Sun Ra
  by Amiri Baraka
• Traning the nineties, or the present relevance of John Coltrane's music of theophany and negation
  by Michael Bruce McDonald
• "Classical jazz" and the Black Arts Movement
  by Lorenzo Thomas
• The Yoruba Orisha tradition comes to New York City
  by Marta Moreno Vega
• Mohawk
  by John Sinclair
• The Black Arts Movement and hip-hop
  by Marvin J. Gladney
• An afternoon with Dick Griffey: his philosophy and thoughts on business, with reflections
  by Brenda T. Myers
• Jimi Hendrix deep within the blues and alive onstage at Woodstock - 25 years after death
  by David Henderson
• Diz
  by Amiri Baraka
• Work
  by John Sinclair
• Parody and double consciousness in the language of early Black musical theatre
  by David Krasner
• It didn't jes grew: the social and aesthetic significance of African American music
  by Kalamu ya Salaam