African American Review

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Articles in Fall, 1998 issue of African American Review

• "Kin' o'rough jestice fer a parson": Pauline Hopkins's 'Winona' and the politics of reconstructing history
  by Martha H. Patterson
• Technical Difficulties: Notes on the State of the Union
  by Carla Freccero
• An interview with Brent Wade
  by Jeffrey B. Leak
• Dangerous Freedom: Fusion and Fragmentation in Toni Morrison's Novels
  by Karla Y.E. Frye
• "The world in a jug and the stopper in hand": 'Their Eyes' as blues performance
  by Maria V. Johnson
• Jean Toomer: Selected Essays and Literary Criticism
  by Kathleen Pfeiffer
• Ishmael Reed's inductive narratology of detection
  by Sami Ludwig
• Producing a Womanist Text: The Maternal as Signifier in Alice Walker's 'The Color Purple.'
  by Mary Margaret Richards
• Zora Neale Hurston and the post-modern self in 'Dust Tracks on a Road.'
  by Pierre A. Walker
• The Harlem Renaissance: 1920-1940, vol. 4, The Critics and the Harlem Renaissance
  by Angelyn Mitchell
• Making Peace
  by Princess J.L. Perry
• Dear Future
  by Heather Hathaway
• Nella Larsen's 'Passing' and the fading subject
  by Neil Sullivan
• When Work Disappears: The World of the New Urban Poor
  by Daryl Michael Scott
• Enacting difference: Marita Bonner's 'Purple Flower' and the ambiguities of race
  by Allison Berg
• Honorable Amendments
  by Calvin Forbes
• Looking into the self that is no self: an examination of subjectivity in 'Beloved.'
  by Jennifer L. Holden-Kirwan
• On Gwendolyn Brooks: Reliant Contemplation
  by Harry B. Shaw
• Divided images: black female spectatorship and John Stahl's 'Imitation of Life.'
  by Miriam Thaggert