African American Review

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Articles in Winter, 1995 issue of African American Review

• Towards a poetization of the "Field of Manners"
  by Qun Wang
• For Malcolm, with gratitude
  by Linwood W. Ross
• Sorrow Is the Only Faithful One: The Life of Owen Dodson
  by Barbara Lewis
• Liberty censored: black living newspapers of the Federal Theatre Project
  by Paul Nadler
• William Johnson's Natchez: The Ante-Bellum Diary of a Free Negro
  by Nick Salvatore
• Wrath of a daydream
  by Janice Mautner
• Richard Wright: Critical Perspectives Past and Present
  by Yoshinobu Hakutani
• Witness for Freedom: African American Voices on Race, Slavery, and Emancipation
  by Merton L. Dillon
• The Time: Portrait of a Journey Home
  by Lorenzo Thomas
• Enemies
  by Michael S. Weaver
• Gabriel's Rebellion: The Virginia Slave Conspiracies of 1800 and 1802
  by Mary Kemp Davis
• Jimmy on the east 15th street
  by Lesley Conger
• Charles Johnson's quest for black freedom in 'Oxherding Tale.'
  by James W. Coleman
• Wild Women Don't Wear No Blues
  by Lynda M. Hill
• An interview with Jewell Parker Rhodes
  by Barbara C. Rhodes
• Black Noise: Rap Music and Black Culture in Contemporary America
  by Houston A. Baker, Jr.
• Djbot Baghostus's Run
  by Karla F.C. Holloway
• The Southpaw
  by Michael S. Weaver
• The Sleeper Wakes: Harlem Renaissance Stories by Women
  by Arlene Elder
• The roots of the body in Toni Morrison: A Mater of "Ancient Properties"
  by Karin Luisa Badt
• Interrogating identity: appropriation and transformation in 'Middle Passage.'
  by Daniel M. Scott, III
• Signifying as a Scaffold for Literary Interpretation: The Pedagogical Implications of an African American Discourse Genre
  by R. Baird Shuman
• "Why don't he like my hair?": constructing African-American Standards of Beauty in Toni Morrison's 'Song of Solomon' and Zora Neale Hurston's 'Their Eyes Were Watching God.'
  by Bertram D. Ashe
• The African sacrificial kingship ritual and Johnson's 'Middle Passage.'
  by Celestin Walby
• Jumping Ship and Other Stories
  by Heather Hathaway