Bibliography for: "Music box: this centre for young Spanish musicians is a hermetic stone cube with a luminous heart"

Carla Bertolucci "Music box: this centre for young Spanish musicians is a hermetic stone cube with a luminous heart". Architectural Review, The. FindArticles.com. 17 Dec, 2009. http://findarticles.com/p/articles/mi_m3575/is_1288_215/ai_n6117515/

Architectural Review, The

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Articles in June, 2004 issue of Architectural Review, The

• Sutherland Lyall casts his net over the cyber sea to fish out nutritious delights
  by Sutherland Lyall
• Theatre comes home: a fine '20s steel building retains its original spirit, while generating a new and urbane theatre complex
  by Peter Blundell Jones
• Liturgical error?
  by Dermid McDermott
• Olympian feat: at long last, Santiago Calatrava's huge roof elements for the Olympic stadium in Athens are being slid into place. They are but part of a huge complex
• Addendum
• Burlington
• Photographic joy
  by Martin Charles
• Armourcoat
• Field of dreams: this inventively conceived baseball field creates a new social focus in a rural hamlet
  by Catherine Slessor
• Prophets in their own country
  by Sutherland Lyall
• Music box: this centre for young Spanish musicians is a hermetic stone cube with a luminous heart
  by Carla Bertolucci
• Bankside revisited: as the first public event in May 2000, London Taxi drivers were invited to a party in the Turbine Hall as part of a clever marketing plan to raise Tate Modern's profile. Since then, what has been happening in London's newest public squ
  by Rob Gregory
• Arresting copper: a house on Denmark's austere north coast opens to magnificent views of sea and sky
  by Henry Miles
• ar+d 2004
• Tuned instrument: Piano's arts museum in Dallas rivals Kahn's in neighbouring Fort Worth in lucidity and the subtle use of limpid light
  by Peter Buchanan
• Lutron
• Cyber enhancement
  by Neil Spiller
• Romantic romp
  by Timothy Brittain-Catlin
• Energy in the USA
  by Alexander Janis
• Gift of too much gab
  by Sutherland Lyall
• Quantum leap: David Chipperfield's studio for sculptor Antony Gormley
  by Rob Gregory
• High art attraction: at the top of a skyscraper, this new art museum rises above the blare and distraction of Tokyo
  by Raymund Ryan
• Home front, and home back: Michael Landy's installation brings pebble dash suburbia to Tate Britain
  by Rob Gregory
• Diary
• Potter & Soar
• Eisenman's enigmas
  by Peter Blundell Jones
• Vibrant Orange
  by Kevin S. Fleming
• Virtual unreality
  by Sutherland Lyall
• Boxing clever: Gigon/Guyer add to their extensive arts building collection with this charming store
  by Rob Gregory
• Retail therapy: with sympathy and imagination, a well-loved London landmark has been given a new lease of life by radical alteration and thorough internal revision
• Julia Dawson explores the great outside
• Begging for revolution: will Moscow break free from the imposed taste of Mayor Yuri Luzhkov?
  by Petr Kudryavtsev
• Crystal case: the Rhineland Regional Museum in Bonn is a model of its kind in both urban and cultural terms
  by Peter Blundell Jones
• Germany's ferocious Atlantic Wall on the French coast has been transformed by nature and art
  by Peter Davey
• Townscape tradition
  by Eileen Whitehouse
• The majesty of it all
  by Sutherland Lyall
• Flamenco flair: Herzog de Meuron reinterpret the southern Spanish tradition of flamenco in a new contribution to Jerez
  by Carla Bertolucci
• John Sydney
• Arts' powers: buildings for the arts have hit the headlines in recent years. True artistic integrity is stultified by the deathly embrace of marketing. Imagination and inspiration are needed
  by Peter Davey
• Art is dead—long live art: within a structure that continues to challenge the conception of built form, two concurrent exhibitions at the Centre Pompidou challenge our perception of art
  by Rob Gregory
• AR inconsistent
  by Armand Mercant
• Wright Style
• Interpave
• Interpave
• Stockholm's island city is the work of many hands over time and continues to evolve, with some adventurous new proposals
  by Michael Webb