Listening with integrity: The dialogical stance of Jaakko Seikkula
Journal of Marital and Family Therapy, Jul 2002 by Trimble, David
At Nordiske Natverksproject's 1995 Stockholm Conference, with my colleague Gunnar Forsberg translating at my ear, I observed Finnish psychologist Jaakko Seikkula conduct, in Swedish, a role-play simulation of a treatment meeting. For shifting a "stuck" situation, Seikkula's understated approach was just as effective as the drama of full-scale network assembly. His stance was gentle, respectful, calm, centered, attuned, and responsive. He was poised to enter painful monologic discourse among network members and guide the conversation into dialogue. I had just begun exploring postmodern literature, having read Anderson and Goolishian's (1988) work on the flight to the conference; meeting and working with Jaakko Seikkula allowed me to witness a brilliant performance of the "not-knowing" stance.
I soon discovered a connection between Seikkula's thesis, that therapeutic change involves a shift from monologic to dialogic discourse, and my own interest in the therapeutic breakthroughs that result from shared expressions of sorrow. Reflecting on the shared expression of sorrow in network assemblies (the "depression phase" of Speck and Attneave's [1973] model), and on expressions of emotion in my psychotherapy office, I found that Seikkula's work helped me to attend to how the communication of sorrow shifts therapeutic conversations from monological to dialogical. Since then, I have been developing the idea that the collective expression of sadness is one way to shift out of monological into dialogical discourse (Trimble, 2000). That project has been informed and enriched by Seikkula's remarkable theoretical work (Seikkula, 1991, 1993, 1994, 1995; Seikkula et al., 1995; Seikkula & Sutela, 1990), which draws from sources including Bakhtin (1981), Braten (1988), Volosinov (1929/1973), and Vygotsky (1934/1962).
The "discourse" in Seikkula's monologic and dialogic discourse is language as utterance; that is, spoken, rather than written language, or than language as a formal system. In dialogue, meaning is jointly produced in the space between speaker and listener. The developmental origins of individual mental life are found in exchanges of utterances between child and parent. The child develops the capacity to organize experience through internal reflective conversation, embodying both speaker and listener roles. Developmentally, dialogue is the original form; monologue emerges from its dialogical origins as a particular form of relationship between speaker and listener. In monologue, the listener is rendered passive; his/her sole function is to receive the utterances of the speaker.
One source of the complexity of the monologic-dialogic distinction is that it applies both to spoken exchanges between distinct embodied speakers and listeners and to internal exchanges between speaker and listener roles within a single embodied person. There are thus a variety of monologic forms. An individual person may be stuck in internal monologic discourse, for example, unable to perceive or imagine life outside of a depressive perspective. In groups, one voice may dominate and silence all others, or all participants may subordinate their individual voices to generate a single monopolistic perspective. Despite the appearance of more than one point of view in polarized disputes, such discourse is monologic because the participants are single mindedly committed to their positions, attending to their opponents' utterances solely for the purpose of refuting them.
Individual mental life is dialogic when the person is open to a multitude of internal voices. Dialogue between people can also be multivoiced, or "polyphonic." In the flow of dialogic conversation, speakers become listeners as listeners become speakers. The sense of the speaker's words is shaped by the listener's responses. Dialogue is a vehicle for creativity as new and unexpected meanings emerge between speaker and listener. Bakhtin (1981) characterized dialogue as "unfinalizable." Because the sense of an utterance is unknown until the appearance of its answering response (which then awaits it own answer, etc.), dialogue is intrinsically unpredictable.
In therapeutic conversations, we often find people caught in a dilemma: Because they have been wounded in some way, they are understandably fearful of the inherent confusion and unpredictability of dialogue, and seek safety in the order and certainty of monologic constructions of themselves and their situations. Once established in monologic positions, however, they become cut off from emergent, not-yet-- spoken possibilities for action. Their relationships become thin as they engage only with others who support their monologic positions, resisting those who contradict them and avoiding those who are open to seeing things in new and unexpected ways. One way out of the dilemma may be found in situations in which it feels safe to share expressions of sadness, perhaps because such emotional expression activates the attachment system (Bowlby, 1969). Because dialogue emerges developmentally out of the same relationship events from which the attachment system originates, such situations may reactivate the possibility of dialogue for people whose distress has locked them in monologic positions.
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