Journal of Canadian Studies

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Articles in Fall 2000 issue of Journal of Canadian Studies

• Trudeau and the politics of language
  by Wright, Donald
• Requiem for a northern dream: On Canada, pop culture and a gunslinger's sunset
  by Geoff Pevere
• Cultural contexts for the reception of Marilyn Dumont's A Really Good Brown Girl
  by Renee Hulan
• rhetoric of culture: Some notes on magazines, Canadian culture and globalization, The
  by Imre Szeman
• James Kudelka: Extending ballet's language
  by James Neufeld
• Locality and universalization: Where is Canadian studies?
  by Ian Angus
• Fear and loathing on the granting trail: Canadian art versus Canadian bureaucracy
  by Hal Niedzviecki
• Pluriculturalisme au Quebec: la voix des auteurs allophones
  by Den Toonder, Jeanette
• Looking back to the future--Creators and cultural policy in the era of free trade: A commentary
  by Susan Crean
• "High octane kung fu action": Examining racialization in The 2nd Toronto Reel Asian International Film Festival and Fantasia '98: Toronto Festival
  by Michael Ma
• Altered states: Global currents, the spectral nation, and the production of "Asian Canadian"
  by Roy Miki
• Politiques culturelles de la visibilite, ou comment le spectre des classes sociales vient encore hanter le spectacle du multiculturel
  by Mavrikakis, Catherine
• Without reservation: Erotica, indigenous style
  by Kateri Akiwenzie-Damm
• past is not passe, the struggles never over: Contemporary lessons of economic problems, resistance politics and social programmes in Canada, The
  by Prince, Michael J
• In and around Christian music
  by Will Straw
• Tuning in the future: Digital technology and commercial radio broadcasting in Canada
  by Deborah Parris
• Out of the cloister but still on the margins? Recent publications in Canadian religious history
  by Marshall, David
• scholar and the theatre, The
  by L W Conolly
• Opera in Canada: A conversation
  by Linda Hutcheon; George Elliott Clarke
• role and practice of racialized discourse in culture and cultural production, The
  by Carol Tator; Frances Henry