Frontiers

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Articles in 1996 issue of Frontiers

• world's women on-line!, The
  by Muriel Magenta
• La Quinceanera: Making gender and ethnic identities
  by Davalos, Karen Mary
• Interview with Elaine Emerson (Colville), basketweaver interviewed by Ann McCormack (Nez Perce)
  by McCormack, Ann
• Marita Dingus
  by Marita Dingus
• Home-based workers: A comparative exploration of Mies's theory of housewifization
  by Prugl, Elisabeth
• politics of hair, The
  by Koppelman, Connie
• Fidelia Monzon
  by Wallick, V Q
• "In the best interest of the total community"?: Women-in-action and the problems of building interracial, cross-class alliances in Durham, North Carolina, 1968-1975
  by Greene, Christina
• Domesticating imperialism: Curry and cookbooks in Victorian England
  by Zlotnick, Susan
• "Space: The final frontier": The invisibility of disability on the landscape of women studies
  by Karen P DePauw
• Sky, rain, rainbow
  by Wallick, V Q
• "Like a Natural Woman": Nature, technology, and birthing bodies in Murphy Brown
  by Miner, Madonne M
• Frontiers
  by Elizabeth Jameson
• A wha' dem a go on wid? (Student resistance in a doctoral seminar on black feminist thought)
  by Henry, Annette
• "And, fellas, they're American girls]": On the road with the Sharon Rogers All-Girl Band
  by Tucker, Sherrie
• teakettle, The
  by Russell, Moira
• Romance, rodeo queens, and the 1950s
  by Joan Burbick
• Gender issues in the Afghanistan diaspora: Nadia's story
  by Audrey C Shalinsky
• Rose Frank (Nez Perce), cornhusk weaver interviewed by Ann McCormack (Nez Perce) in 1991
  by McCormack, Ann
• A woman's way of simplifying
  by Rust, Amy C
• To my daughters
  by Hegland, Jean
• Making Southern belles in progressive era Florida: Gender in the formal and hidden curriculum of the Florida Female College
  by Birnbaum, Shira
• Connections
  by Sarah Deutsch
• Coverage of "Bride Burning" in the Dallas Observer: A cultural analysis of the "other"
  by Parameswaran, Radhika
• Origin of basket weaving recorded by Virginia Beavert (Yakama)
  by Beavert, Virginia
• Studying the ground
  by Hegland, Jean
• Introduction
• Desire work, performativity, and the structuring of a community: Butch/fem relations of the 1940s and 1950s
  by Kraus, Natasha
• Haunting the borderlands: La Llorona in Sandra Cisneros's "Woman Hollering Creek"
  by Doyle, Jacqueline
• Hairdos and don'ts: Hair symbolism and sexual history in Samoa
  by Mageo, Jeannette Marie
• Meeting grounds or "frontiers"?
  by Kate Shanley
• cost of shoes in the city, The
  by Wyrick, Laura
• Bisexual women and the "threat" to lesbian space: Or what if all the lesbians leave?
  by Stone, Sharon Dale
• Class, gender, and the contours of nationalism in the culture of Philippine radical theater
  by Bodden, Michael H
• Hair is the Refuge
  by Winters, Mary
• Visiting Nurse
  by Schaffner, M A
• Leila's Hair Museum
  by Cohoon, Leila
• To live in the Borderlands means you
  by Gloria Anzaldua
• Constructions of rape: Two American musicals
  by Donnalee Dox
• tongue is a drum, The
  by Opal Palmer Adisa
• Doubling
  by Wyrick, Laura
• Introduction
• Reliquary for My Braid
  by Carter, Susan E Carter
• Tabula rasa
  by Elizabeth V Young
• Big Mama Washed Her Hair
  by Claytor, Sara
• Nettie Jackson (Klikitat), basketweaver interviewed by Ann McCormack (Nez Perce) in 1991
  by McCormack, Ann
• Hairstory
  by Armstead, Collette Marie
• depression, The
  by Russell, Moira
• Domestic violence and the theoretical discourse of freedom
  by Hirschmann, Nancy J
• Walnut Grove on the Delta
  by Kishiyama, S
• Intractable Lessons of Bad Hair, The
  by Kellogg, Irene Aubry
• Sestina on Rock
  by Kishiyama, S
• Compound walls: Eva Jane Price's letters from a Chinese mission, 1890-1900
  by Susanna Ashton
• Senses related to the nose
  by Opal Palmer Adisa
• Pins, Crown, Barrettes, Barrettes (detail)
  by Gardner, Andrea
• High Strung, High Twang, Before Butterflies, Tangles #5
  by Arm, Pamela
• New frontiers in Native American history
  by Clara Sue Kidwell
• Grief
  by Easton, Kelly
• Sugar and Spice
  by Kenefick, Molly
• Wall working
  by Urion, Marilyn Vogler
• Narratives of history, nature, and death at the National Memorial Cemetery of the Pacific
  by Ferguson, Kathy E; Turnbull, Phyllis
• A song to the creator: Weaving arts of native women of the plateau
• Abuela dives the wall
  by Prowell, Anne
• "Broke in spirits": Death, depression, and endurance through writing
  by Riney-Kehrberg, Pamela
• Self-portrait on the border line between Mexico and the United States, Frida Kahlo, 1932
  by Carol E Miller
• Potties, pride, and PC: Scenes from a lesbian mothers' group
  by Aronson, Anne
• Montana homestead
  by Hegland, Jean
• Making savages of us all: White women, Pueblo Indians, and the controversy over Indian dances in the 1920s
  by Margaret D Jacobs
• When strangers met: Sex and gender on three frontiers
  by Albert L Hurtado
• Saguaro
  by Elizabeth V Young
• A Read-Aloud Story
  by Surinsky, Wendy
• Wigs
  by Kirshenbaum, Binnie; Montez, Susan
• Which side am I on, anyway?
  by Ursula K Le Guin
• Reading The Narrative of Sojourner Truth as a collaborative text
  by Humez, Jean M
• New ways of telling: Latinas' narratives of exile and return
  by Stefanko, Jacqueline
• Identity politics, political identities: Thoughts toward a multicultural politics
  by Ackelsberg, Martha A
• A (boarding) house is not a home: Women's work and woman's worth on the margins of domesticity
  by McBride, Kari Boyd
• Fire, Rain, and the Need to Act: Before man, in the year ome acatl (two reed)
  by Cullar, Carol
• Identity, difference, and dance: Female initiation in Zanzibar, 1890 to 1930
  by Laura Fair
• Witchcraft, cooperatives, and gendered competition in a P'urepecha community
  by Isaac, Claudia B

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