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Art of Translation, The

American Poetry Review, The,  May/Jun 1998  by Rich, Adrienne

1

To have seen you exactly, once: red hair over cold cheeks fresh from the freeway your lingo, your daunting and dauntless eyes. But then to lift toward home, mile upon mile back where they'd barely heard your name -neither as terrorist nor as genius would they detain you

to wing it back to my country bearing your war-flecked protocols

that was a mission, surely: my art's pouch crammed with your bristling juices sweet dark drops of your spirit that streaked the pouch, the shirt I wore and the bench on which I leaned.

2

It's only a branch like any other green with the flare of life in it and if I hold this end, you the other that means it's broken

broken between us, broken despite us broken and therefore dying broken by force, broken by lying green,-with the flare of life in it

3

But say we're crouching on the ground like children over a mess of marbles, soda-caps, foil, old foreign coins -the first truly precious objects. Rusty hooks, glass.

Say I saw the earring first but you wanted it. Then you wanted the words I'd found. I'd give you the earring, crushed lapis if it were,

I would look long at the beachglass and the sharded self of the lightbulb. Long I'd look into your hand at the obsolete copper profile, the cat's eye, the lapis.

Like a thief I would deny the words, deny they ever existed, were spoken, or could be spoken, like a thief I'd bury them and remember where.

4

The trade names follow trade the translators stopped at passport control: Occupation: no such designationJournalist, maybe spy?

That the books are for personal use only-could.I swear it? That not a word of them is contraband-how could I prove it?

Copyright World Poetry, Incorporated May/Jun 1998
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