Arts Publications
Topic: RSS FeedRed Necks and Red Bandanas: Appalachian Coal Miners and the Coloring of Union Identity, 1912-1936
Western Folklore, Winter 2006 by Huber, Patrick
2. On redneck's probable derivation from striking miners' custom of wearing red handkerchiefs, see Colorado Labor Forum 1988, 49; Lee 1969, 98-99; Phillips 1974, 90; Meador 1981, 47; Papanikolas 1982, 92.
3. Williams 2005. As late as the 1989, the UMW continued to use and distribute the symbolic red handkerchiefs to coal miners during strikes. In West Virginia, for example, during the 11-month strike against the Pittston Coal Company in 1989 and 1990, Elaine Purkey (2005), a miner's wife, union balladeer, and grassroots activist, recalled that the union distributed red handkerchiefs to striking miners as a historical symbol of the union's traditions, and the miners and their family members wore them at strike rallies and on picket lines.
REFERENCES
Blankenhorn, Herbert. 1921. "Marching through West Virginia." The Nation 113:288-89.
Bowles, Billy and Remer Tyson. 1989. They Love A Man in the Country: Saints and Sinners in the South, Atlanta: Peachtree Publishers.
Buhle, Mary Jo, Paul Buhle, and Dan Georgakas. 1990. Encyclopedia of the American Left. New York: Garland Publishing, Inc.
Coleman, McAllister and Stephen Raushenbush. 1936. Red Neck. New York: Harrison Smith and Robert Haas.
Colorado Labor Forum. 1988. "Red Columbine Scarf." Industrial Workers of the World: General Education Bulletin, 49 (photocopy in author's possession).
Corbin, David A. 1981. Life, Work and Rebellion in the Coal Fields: The Southern West Virginia Miners 1880-1922. Urbana: University of Illinois Press.
Cowley, Malcolm. 1932. "Kentucky Coal Town." The New Republic 70:67-70.
DAS. Dictionary of American Slang. 1967. Ed. Harold Wentworth and Stuart Berg Flexner. New York: Thomas Y. Crowell Co.
Dos Passos,John. 1931. "Harlan: Working Under the Gun." The New Republic 69:62-67.
Eastman, Max. 1914. "Class War in Colorado." The Masses 5:5-8.
Eller, Ronald D. 1982. Miners, Millhands, and Mountaineers: Industrialization of the Appalachian South 1880-1930. Knoxville, Tennessee: University of Tennessee Press.
Fink, Walter H. 1914. The Ludlow Massacre. Denver: Williamson-Haffner.
Fowke, Edith and Joe Glazer, eds. 1960. Songs of Work and flötest. Chicago: Roosevelt University, Labor Education Division.
Garland, Jim. 1983. Welcome the Traveler Home: Jim Garland's Story of the Kentucky Mountains. Ed. Julia S. Ardery. Lexington: University of Kentucky Press.
Green, Archie. 1991. Letter to the author. 16 September.
_____. 1997. Brochure notes to Railroad Songs and Ballads. Rounder Records, Rounder CD 1508. Originally released in 1968 as Recording Laboratory, Library of Congress AFS L61.
Greenway.John. 1959. "Songs of the Ludlow Massacre." SingOutl 8:17-22.
Gutman, Herbert. 1976. "The Negro and the United Mine Workers." In his Work, Culture and Society in Industrializing America: Essays in American Working Class and Social History. New York: Alfred A. Knopf. Pp. 121-208.
Harlan Miners Speak: Report on Terrorism in the Kentucky Coalfields. 1932. Prepared by Members of the National Committee for the Defense of Political Prisoners. New York: Harcourt, Brace and Company.
Most Recent Arts Articles
- Slumdog comprador: coming to terms with the Slumdog phenomenon
- Still mining his Winnipeg: an interview with Guy Maddin
- It doesn't seem 'Canadian': quality television' and Canadian-American co-productions
- Second city or second country? The question of Canadian identity in SCTV'S transcultural text
- Hop on pop: jiangshi films in a transnational context
Most Recent Arts Publications
Most Popular Arts Articles
- What makes a successful business person? Business people who are tops in their field have a lot in common, and art professionals can learn a lot from their successes and strategies
- It's urban, it's real, but is this literature? Controversy rages over a new genre whose sales are headed off the charts
- The Arnolfini double portrait: a simple solution
- The Horn identity: by day, Justin, Murdock is one of L.A.'s flashiest bachelors. By bight, he's Eliphas Horn, Goth antihero. (Eye).
- An Occasion of Sin



