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Literature Film Quarterly
View more issues: 1998, 1999, 2000
Articles in 1997 issue of Literature Film Quarterly
- "I'm not Laura Palmer": David Lynch's fractured fairy tale
by Laura Plummer - False history, fake Africa, and the transcription of Nazi reality in Hans Steinhoff's Ohm Krueger
by R C Lutz - A stranger in the studio
by Gene D Phillips - Potboiler emancipation and the prison of pure art: Clarissa, The Wind, and surviving rape
by Ray Tumbleson - Ghosts of Germany: Kaspar Hauser and Woyzeck
by Ruth Perlmutter - Meet John Doe, Frank Capra, and baseball: The celebration and dark side of the American Dream
by Ron Briley - Women-of-color filmmakers
by Judith E Pike - Sloughing off the burdens: Ada's and Isabel's parallel/antithetical quests for self-actualization in Jane Campion's film The Piano and Henry James's novel The Portrait of a Lady
by Jeanne R Dapkus - Fiction into film, or bringing Welsh to a Boyle
by Bert Cardullo - "Real horrorshow": The juxtaposition of subtext, satire, and audience implication in Stanley Kubrick's The Shining
by Greg Smith - Keys to the imagination: Jane Campion's The Piano
by Peter N Chumo II - transformation of woman: The "Curse" of the Cat Woman in Val Lewton / Jacques Tourneur's Cat People, its sequel, and remake, The
by Linda Rohrer Paige - Spielberg after Schindler
by Jim Welsh - "Soft males," "flying boys," and "white knights": New masculinity in the Fisher King
by Angela Stukator - Unbearable Lightness of Being: Film adaptation seen from a different perspective, The
by Patrick Cattrysse - Letter to the editor
- "Damnable feminization"?: The Merchant Ivory film adaptation of Henry James's The Bostonians
by Sue Sorensen - Passage to Marseille: A case of unjust neglect
by Kenneth D Alley - Enough to base a movie on?
by Suzanne E O'Hop - Festival report: Keaton & Chaplin in Kansas
by Jim Welsh