Literature Film Quarterly

View more issues: 1998, 1999, 2000

Articles in 1997 issue of Literature Film Quarterly

• "I'm not Laura Palmer": David Lynch's fractured fairy tale
  by Laura Plummer
• False history, fake Africa, and the transcription of Nazi reality in Hans Steinhoff's Ohm Krueger
  by R C Lutz
• A stranger in the studio
  by Gene D Phillips
• Potboiler emancipation and the prison of pure art: Clarissa, The Wind, and surviving rape
  by Ray Tumbleson
• Ghosts of Germany: Kaspar Hauser and Woyzeck
  by Ruth Perlmutter
• Meet John Doe, Frank Capra, and baseball: The celebration and dark side of the American Dream
  by Ron Briley
• Women-of-color filmmakers
  by Judith E Pike
• Sloughing off the burdens: Ada's and Isabel's parallel/antithetical quests for self-actualization in Jane Campion's film The Piano and Henry James's novel The Portrait of a Lady
  by Jeanne R Dapkus
• Fiction into film, or bringing Welsh to a Boyle
  by Bert Cardullo
• "Real horrorshow": The juxtaposition of subtext, satire, and audience implication in Stanley Kubrick's The Shining
  by Greg Smith
• Keys to the imagination: Jane Campion's The Piano
  by Peter N Chumo II
• transformation of woman: The "Curse" of the Cat Woman in Val Lewton / Jacques Tourneur's Cat People, its sequel, and remake, The
  by Linda Rohrer Paige
• Spielberg after Schindler
  by Jim Welsh
• "Soft males," "flying boys," and "white knights": New masculinity in the Fisher King
  by Angela Stukator
• Unbearable Lightness of Being: Film adaptation seen from a different perspective, The
  by Patrick Cattrysse
• Letter to the editor
• "Damnable feminization"?: The Merchant Ivory film adaptation of Henry James's The Bostonians
  by Sue Sorensen
• Passage to Marseille: A case of unjust neglect
  by Kenneth D Alley
• Enough to base a movie on?
  by Suzanne E O'Hop
• Festival report: Keaton & Chaplin in Kansas
  by Jim Welsh