On CBS.com: Meet 18 crazy people
Find Articles in:
all
Business
Reference
Technology
News
Sports
Health
Autos
Arts
Home & Garden
advertisement
Featured White Papers
advertisement

Content provided in partnership with
ProQuest

Affecting authenticity: Sonnets from the Portuguese and Modern Love

Studies in the Literary Imagination,  Fall 2002  by Houston, Natalie M

<< Page 1  Continued from page 13.  Previous | Next

The mid-century revival of interest in the ability of the amatory sonnet sequence to represent or stage authentic experience was in both these works historically self conscious, as indeed much Victorian sonnet work was. After all, in a modern, technological age, when many poets were writing longer and looser forms, why would anyone choose to write sonnets? For these poets, in these works, one answer is that the authenticity effect created in the sonnet sequence offered a vantage point from which to scrutinize the romantic ideals of their own modern moment.

NOTES

1On the history of the early Victorian sonnet, see Going, Scanty; Golden, "Victorian"; and Sanderlin, "Bibliography" and "Influence."

2 See, for example, Mermin's "Female Poet," Reynolds, Stephenson 69-89, and Stone 1-48.

1 See Comstock, Fletcher, Mermin's "Poetry as Fiction," and Reader.

WORKS CITED

Altick, Richard D. Lives and Letters: A History of Literary Biography in England and America. New York: Knopf, 1965.

Barrett Browning, Elizabeth. A Variorum Edition of Elizabeth Barrett Browning's Sonnets from the Portuguese. Ed. Miroslava Wein Dow. Troy: Whitston Publishing Company, 1980. Clough, Arthur Hugh. "Sonnets in the Abstract." Rugby Magazine 2 (1837): 270-274. Rpt.

in Selected Prose Works of Arthur Hugh Clough. Ed. Buckner B. Trawick. Tuscaloosa: U of Alabama P, 1964.

Comstock, Cathy. "`Speak, and I see the Side-Lie of a Truth': The Problematics of Truth in Meredith's Modern Love." Victorian Poetry 25.2 (1987): 129-141.

Curran, Stuart. Poetic Form and British Romanticism. Oxford: Oxford UP, 1986. [Davies, William]. "The Sonnet." Quarterly Review 134 (January 1873): 186-204.

de Grazia, Margreta. Shakespeare Verbatim: the Reproduction of Authenticity and the 1790 Apparatus. Oxford: Clarendon Press, 1991.

de Vere, Aubrey. Preface. Sonnets. By Sir Aubrey de Vere, Bart. London: Pickering, 1875. [Dennis, John.] "The English Sonnet." The Cornhill Magazine 25 (May 1872): 581-598. Donaldson, Sandra. Elizabeth Barrett Browning: An Annotated Bibliography of the

Commentary and Criticism, 1826-1990. New York: G. K. Hall & Co., 1993.

Fletcher, Pauline. "`Trifles Light as Air' in Meredith's Modern Love." Victorian Poetry 34.1 (1996): 87-99.

Going, William T. Scanty Plot of Ground: Studies in the Victorian Sonnet. The Hague: Mouton, 1976.

-. "The Term Sonnet Sequence." Modern Language Notes 62.6 (June 1947): 400-402. Golden, Arline. "`The Game of Sentiment': Tradition and Innovation in Meredith's Modern Love." ELF 40 (1973): 264-284.

"Victorian Renascence: the Revival of the Amatory Sonnet Sequence, 1850-1900." Genre 7 (1974): 133-147.

Gosse, Edmund. "The Sonnets from the Portuguese." Critical Kit-kats. New York: Dodd, Mead, 1896. 1-17.

Hewlett, Henry G. "English Sonneteers: Mr. Charles Turner." Contemporary Review 22 (Sept 1873): 633-642.

Houston, Natalie M. "Valuable by Design: Material Features and Cultural Value in Nineteenth-Century Sonnet Anthologies." Victorian Poetry 37.2 (1999): 243-272. Hunt, Leigh, and S. Adams Lee, eds. The Book of the Sonnet. 2 vols. Boston: Roberts Brothers, 1867.